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X-ORIGINAL-URL:https://vocicontratempo.com/
X-WR-CALNAME:Voci Contra Tempo
X-WR-CALDESC:Vocal Ensemble
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CLASS:PUBLIC
UID:MEC-e4baa6e2182735b091d8ebe8534bb6cf@vocicontratempo.com
DTSTART:20250409T170000Z
DTEND:20250409T190000Z
DTSTAMP:20250330T194800Z
CREATED:20250330
LAST-MODIFIED:20250331
PRIORITY:5
TRANSP:OPAQUE
SUMMARY:Holy Week
DESCRIPTION:															\nPART A\n“CRUCIIFIXUS: 6 Heartbreaks for the Darkness of the Passion and the Hope of Light”\nWomen’s vocal ensemble VOCI CONTRA TEMPO\nChoir Address-Artistic direction: Sofia Gioldasi\nAntonis Aspridis, piano  \nOscar Kachurin, , percussion  \nValentina Paraskevaidou, directing  \nPROGRAMME:  \n\nMedia vita (In the midst of life we are in death), Michael McGlynn (born 1964, Ireland), based on a Gregorian melody, Solo: Eleni Dimopoulou, Elena Tzika  \n\n\nKyrie eleison, Henk Badings (1907-1987, Indonesia / Netherlands)  \n\n\nCrucifixus (Corried in ours), , Giuseppe De Rosa (born 1973, Italy), for women’s choir and piano, (2022, 1 οthe Prize in 1 the οInternational Composition Competition of the International Choral Festival of Preveza)  \n\n\nLux Aeterna (Eternal Light), , Michelle Rouech é (b.1964, U.S.A.), Solo: Eleni Manta  \n\n\nHemlig stod jazz jag(I am secret), Swedish Funeral Psalm of 17th ουcentury, choroid.: Susanne Rosenberg (born 1957, Sweden)  \n\n\nMother, mother, traditional Lebanese Hymn for M. Paraskevi, music adaptation: Christodoulos Chalaris, performance in Greek: Nikos Gatsos, chorus: Sofia Gioldasi, Solo: Ria Karamatsouki  \n\n \nWe warmly thank the National Theatre of Northern Greece for the kind concession of the theatrical costumes to Voci Contra TempoTempo.\nPART B\nRequiem by Simos Papana\nThe work is based on the historical tradition of the Requiem species, using precisely the traditional Latin verses, but with small upheavals and musical expressive means, it attempts to deal anthropocentically with anxiety, fear, sadness, rage, humiliation, the hopeless desire for knowledge and the other emotions that accompany the inevitable truth of the coming death. A central role is played by the child’s voice, which represents the pure and unprotected childlike soul that is endemic hidden in every person and who is ultimately confronted with the unanswered question of existence. Compositionally, I tried to treat with respect the history of the genre of Requiem, starting from the Middle Ages but also to use a musical language familiar and understandable for the modern listener.\nSimos Papanas\nParts:\n\nRequiem aeternam – Kyrie\nDies irae\nTuba mirum\nSanctus\nBenedictus\nAgnus Dei\nLibera me\n\nSymphony Orchestra of the Municipality of Thessaloniki\nSoloist:\nVasilis Kavagias- tenor\nChrysa Maliamani-soprano\nChristoforos Stamboglis-unprestand\n \nMusic direction: Haris Eliades, Musician\nMixed Choir of Cyril & Methodius\nChoir Address: Maria – Emma Meligopoulou, Assistant Professor TMETT\n
URL:https://vocicontratempo.com/past-events/cruciifixus-6-heartbreaks-for-the-darkness-of-the-passion-and-the-hope-of-light/
LOCATION:Thessaloniki
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